芮芮 RUIRUI

DOT

COM

PROJECTS

24’

Branding
Branding
Packaging
Illustration

Poster

Branding

BUSANA STUDIOS (Soon)
NiALL COFFEE MERCH 
OCEAN GARDEN SALMON
NiALL COFFEE
LITERATURE COLLECTION
IMPERFECT NATURE,
NATURAL SETTINGS
YIMU STUDIO



23’

Print
Poster

Typography
Print

Typography
Branding
Poster

SEASON TYPE CALENDAR
ACCA BETWEEN WAVES
LANGUAGE TOUR
(MAREN) ORACLE TYPE
AUTUMN SPRING MUSIC ALBUM COVER
WOVEN SCRIPT
BOOK TURNER
WAHH



22’

Branding
Branding

Publication

Print/ Craft
Print
Packaging
Graphics
Illustration
Poster
Poster
Branding
Branding

M-E-SFF
RMIT GRADUATE
FESTIVAL OF DESIGN
BETWEEN INTERSECTIONS:
BOX HILL
THIS IS ME, I AM HERE
{HETEROMORPHOSIS}
PETITE PAWS
FLOCK OFF
HAY FEVER SEASON
VOICE OF FORM
OBSOLETE VOICE
KOMOREBI
SYRE WINE BAR



21’

Campaign
Publication
Illustration
Poster

A PERSONAL NOTE 73
GRAPHIC DIMENSIONS
HANA AND I
MOVED



20’

Poster
Print

Print

MONEY BUBBLEGUM
TO KILL A MOCKING BIRD BOOK COVER 
FROM HARRIET



Item
Collections

01.
02.
03.
04.

LOGO & ICONS
POSTER
ILLUSTRATION
OTHER PRACTICES







To Kill a Mockingbird 
Book cover redesign Book Cover
Print To Kill a Mockingbird book cover redesign depicts alienation, confinement, and abuse to the African Americans in the 18th century. The hole in the body refers to the tree hole s cemented by Nathan Radley in the narrative, depicting the black figure as a tree of stability, tranquility and life while symbolizing notions of ‘wound’ and blockage of the outside world, signifying lies of adult to children that the tree is ‘diseased’. The hand of the figure extends to the back of the cover holding a mockingbird of growing camelias, a resemblance of innocence and purity.








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DESIGNER @ WEAVE